Through drawing, papermaking, printmaking, and books, I transform plant fibers, soils, and foraged pigments into inks and paper: a sensual, slow, and collaborative process shaped by place and time. I am drawn to the tenderness of how bodies, materials, and environments continually shape one another; places of vulnerability where perspectives can be shifted and curiosities heightened — where small and insignificant things matter.

My practice attends to relationship. How does sensing unfold between self and environment, between one body and another, human and other-than-human? Layers accumulate through touch, repetition, and waiting, holding traces of movement, pressure, sediment, and care. These surfaces become quiet fields of attention — maps of presence that encourage a shared, embodied experience.

Delicate forms and muted earth tones create a sense of lightness — not a false utopia, but rather a response to the weight of living with care. Transforming my own narratives through this work, I ask viewers to inhabit an imaginative place with me: to hold an abundance of complexities, uncertain shadows, tender expressions, fearsome beings, murky waters, and hopeful growth. It asks what it means to turn toward one another, to notice interdependence, and to remain in conversation.